* Peru Celebrates Machu Picchu's 100th Rediscovery Anniversary
* Kunst Haus Wien Hosts Four Month Exhibition of Friedensreich Hundertwasser
* Pinakothek der Moderne Shows "Curvatureromance" by the American Artist
John
Chamberlain
* Whitechapel Gallery Presents Thomas Struth: Photographs 1978-2010
* Hollywood Portraits at the National Portrait Gallery in London
* Norman Rockwell's "The Problem We All Live With" to Be Exhibited at The
White House
* Exhibition of André Kertész Photography at The WAG
* Kahlo's "Self-Portrait with Thorn Necklace & Hummingbird" at the Ransom
Center
* Los Angeles County Museum of Art (LACMA) hosts Vanity Fair Portraits:
Photographs 19132008
* Halcyon Gallery Presents Pedro Paricio: Master Painters
* Oh l¹amour ~ Contemporary Photography from the Stéphane Janssen Collection
* Pierre et Gilles Retrospective opens at C/O Berlin the International Forum
For Visual Dialogues
* The Art Institute of Chicago Presents Modernist Pae White
* The New Jersey State Museum features Mel Leipzig ~ Selected Works
* Blanton Museum of Art to feature 'Birth of the Cool' ~ California Art/
Design/ Culture
* Bauhaus Archiv opens Amerika 1928 ~ Photos of a Study Trip by Walter
Gropius
* Whitney Museum announces John Baldessari in Conversation with Adam
Weinberg
* Gagosian Gallery features Mike Kelley's First NY Show Devoted to Painting
* Williams College Museum of Art Presents Gregory Crewdson/Edward Hopper
* This Week in Review in Art Knowledge News <#20>
LIMA, PERU - Tourists love the enigmatic Inca citadel of Machu Picchu high
in
Peru's Andes. They may love it too much. As the country prepares to
celebrate
the 100th anniversary of the rediscovery of the "Lost City of the Incas"
this
week, archaeologists are warning that a heavy flow of visitors and poor
administration are threatening one of the greatest wonders of the world. The
Incas built Machu Picchu atop an Andean peak 7,970 feet (2,430 meters) high,
with a breathtaking view across the inhospitable abysses that surround it.
Some experts believe it was a refuge for one or more Inca rulers, others
that
it was a religious sanctuary.
The site receives an average of 1,800 visitors a day and the maximum
allowed
by authorities is 2,500. Already, the former farming village of Aguas
Calientes that is used as a jumping-off point for tourists has grown into a
town of 4,000 inhabitants with five-star hotels and restaurants. In some
places, authorities have noticed soil erosion and damage to vegetation,
Juan
Julio Garcia, regional director of Peru's culture ministry, told The
Associated Press.
Tourism companies and some local officials constantly pressure authorities
to
allow even more tourists, arguing it would benefit local communities.
Cultural guardians fear irreparable damages if the tourist flow surges, and
they are especially concerned by official plans to build a highway to the
remote 15th-century ruin. Tourists now must reach Machu Picchu only by foot
or by a scenic, zigzagging narrow-gauge train ride.
"In one way or another, the train controls the flow (of tourists). There is
a
maximum capacity on the train and this maximum capacity determines how many
people can reach the monument. In contrast, with a road, any person or
tourism company can reach the site and try to enter the sanctuary," Garcia
said.
But rains washed out the rail route in January 2010, trapping 4,000
tourists
in the towns of Machu Picchu and Aguas Calientes for five days. Without
road
access to the area, the government had to airlift tourists out by
helicopter.
In Aguas Calientes, which serves as a tourist base for Machu Picchu, there
were shortages of food and water for those stranded..
In September, Peru's Congress approved construction of an access road to
Machu Picchu. That raised a red flag at UNESCO, which inscribed the Inca
stronghold on its World Heritage list in 1983, boosting the site's fame and
making it eligible for international technical support. The U.N. agency had
already expressed concern about management of the site. It said in 2008
that
there were "urgent problems with deforestation, the risk of landslides,
uncontrolled urban development and illegal access to the sanctuary."
The U.N. agency threatened to put it on its list of endangered sites if the
road project is not canceled, a move that would be a blow to Peru's
prestige.
Peruvian tourism authorities insist they are protecting the monument.
Carlos
Zuniga, head of the Foreign Trade and Tourism office for the Cuzco region,
said that officials have given UNESCO proof of concern for Machu Picchu by
completing a plan for use of the sanctuary and by issuing a decree that
funds
generated by tourism to Machu Picchu be used in maintaining the site.
Previously, earnings were sent to the central government in the capital,
Lima.
Garcia, of the culture ministry, said local authorities support the highway
project because they want to break the monopoly of PeruRail, the train
company owned by Chilean and British interests. Aguas Calientes Gov.
Antonio
Sinchi Roca said the monopoly hurts the local economy. "Many entrepreneurs
who could reach the zone don't because the cost of transportation is so
high."
Machu Picchu was largely unknown to the outside world, abandoned and
covered
in highland jungle, until July 7, 1911, when Yale University historian and
explorer Hiram Bingham reached Machu Picchu and later announced its
existence. He became famous as the site's modern discoverer, though
Peruvian
Agustin Lizarraga had been there first. He wrote on one of the citadel's
stones with a piece of charcoal: "Lizarraga, July 14, 1902, for posterity."
For decades, the site's remoteness, as well as the cost of reaching it,
kept
foreign tourists at bay. In the 1980s, visitors shunned Peru because of a
raging guerrilla conflict that ended in 1999. In 1991, about 77,000
tourists
visited. That number has risen about tenfold over the past decade, reaching
more than 800,000 in 2009, the year before the rail line washed away.
The director of Machu Picchu Archaeological Park, Fernando Astete, said the
main problem facing the site today is that the area is controlled by rival
municipal authorities contending for tourism dollars.
"Local authorities in and around the zone don't know what UNESCO is, they
know nothing about it. They don't know they are in a protected area,"
Astete
told The AP. Many authorities view the citadel as "a marketing issue" and
don't make decisions based on technical criteria about conservation of the
site, Garcia said.
An example occurred in 2000, when a beer company was allowed to film a
television commercial in Machu Picchu. The heavy arm of a crane used in the
filming fell onto and damaged the emblematic Intihuatana Stone, which many
believe to be sacred. This didn't stop authorities from recently permitting
the filming of dance scenes for the Bollywood movie "Endhiran" ("The
Robot"), starring former Miss World Aishwarya Rai.
Peru's government had planned a big celebration in the ruins themselves for
theanniversary, but called that off when UNESCO objected.
Copyright 2011 The Associated Press.
Kunst Haus Wien Hosts Four Month Exhibition of Friedensreich Hundertwasser
<http://feedproxy.google.com/~r/artknowledge/~3/G9yCO8DlRSE/07_07_2011_23_26
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tml?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 09:25 PM PDT
Vienna - With this exhibition KUNST HAUS WIEN honours the artist on whose
philosophy and artistic principles this institution is largely based. The
20th anniversary of KUNST HAUS WIEN, a museum which unites, under one roof,
international temporary exhibitions and the permanent Museum Hundertwasser,
offers an occasion for this special exhibition project. For a period of
four
months, all of KUNST HAUS WIEN is thus devoted to Friedensreich
Hundertwasser. The exhibition is on view from July 7th until November 6th.
Pinakothek der Moderne Shows "Curvatureromance" by the American Artist John
Chamberlain
<http://feedproxy.google.com/~r/artknowledge/~3/dkTU8ezCgRM/07_07_2011_23_42
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ch
amberlain.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 09:24
PM PDT
MUNICH.- CURVATUREROMANCE is the first museum presentation of the
large-format metal sculptures completed during the last four years by the
American artist John Chamberlain (b.1927). The show also marks the start of
the AMERICAN SUMMER program in the Pinakothek der Moderne, on view from July
7th through October 23rd. As early as the late-1950s Chamberlain created a
sculpture for the first time that made use of colored steel parts from a
car
that was in the backyard of his friend Larry Rivers. He thereby found his
Carrara - a working material that was to become as natural for Chamberlain,
as marble was for sculptors of the Renaissance.
Whitechapel Gallery Presents Thomas Struth: Photographs 1978-2010
<http://feedproxy.google.com/~r/artknowledge/~3/XOyX-uoM18k/07_07_2011_23_06
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so
urce=feedburner_medium=email> Posted: 07 Jul 2011 09:06 PM PDT
LONDON.- The Whitechapel GalleryŒs major summer exhibition presents Thomas
Struth¹s first solo show in Britain for almost 20 years. Struth¹s
large-scale
photographs bring his intense and precise vision to subjects as diverse as
visitors looking at famous works of art in the world¹s great museums,
family
portraits and the dense undergrowth of the Asian jungle. The exhibition is
on
view from July 6 through September 16, in Galleries 1, 8 & 9. Thomas Struth
is an artist who travels widely and captures cities from New York to Tokyo,
while his latest vast colour photographs show sites of cutting edge
technology such as the Kennedy Space Station on Cape Canaveral and Korean
shipyards. The exhibition includes his iconic museum series of life-size
photographs showing tourists admiring Michelangelo¹s David statue in
Florence, Italy, and pupils chatting in front of Velazquez Las Meninas at
the
Prado, Madrid. The works show the awe that art can inspire on people¹s
faces,
without revealing the object they are looking at, and are testament to
Struth¹s continuous interest in places of culture around the globe.
Hollywood Portraits at the National Portrait Gallery in London
<http://feedproxy.google.com/~r/artknowledge/~3/divGx7GuJEs/07_07_2011_22_35
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ce=feedburner_medium=email> Posted: 07 Jul 2011 08:35 PM PDT
LONDON.- This new exhibition at the National Portrait Gallery examines the
importance of photography in creating the stars of Hollywood from 1920 to
1960. Glamour of the Gods: Hollywood Portraits, Photographs from the John
Kobal Foundation includes portraits of Marlene Dietrich, James Dean, Joan
Collins, Marlon Brando, Elizabeth Taylor and Marilyn Monroe by nearly 40
photographers including George Hurrell, Clarence Sinclair Bull, Laszlo
Willinger, Bob Coburn and Ruth Harriet Louise. This exhibition is on view
from July 7th until October 23rd.
Norman Rockwell's "The Problem We All Live With" to Be Exhibited at The
White
House
<http://feedproxy.google.com/~r/artknowledge/~3/H2b_r976eIg/07_07_2011_22_51
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9_norman_rockwells_the_problem_we_all_live_with_to_be_exhibited_at_the_white
_h
ouse.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:34 PM
PDT
STOCKBRIDGE, MA.- Norman Rockwell Museum announces the loan of Norman
Rockwell¹s iconic painting ³The Problem We All Live With,² part of its
permanent collection, to The White House, where it will be exhibited
through
October 31. The loan was requested this year by President Barack Obama, in
commemoration of the 50th anniversary of Ruby Bridges¹ history-changing walk
integrating the William Frantz Public School in New Orleans on November 14,
1960, that later inspired Rockwell¹s bold illustration for the January 14,
1964 issue of ³Look² magazine. ³The Problem We All Live With² was the first
painting purchased by Norman Rockwell Museum in 1975. The White House loan
was made possible through the support of the Henry Luce Foundation.
Exhibition of André Kertész Photography at The WAG
<http://feedproxy.google.com/~r/artknowledge/~3/QRc3mSPrEpA/07_07_2011_22_24
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1exhibition_of_andre_kertesz_photography_at_the_wag.html?utm_source=feedburn
er
_medium=email> Posted: 07 Jul 2011 08:24 PM PDT
Winnipeg, Canada - Hungarian-born photographer André Kertész (1894-1985)
gained critical attention for his unorthodox compositions and use of
unusual
camera angles. In 1925 he moved to Paris, becoming involved with the Dada
movement. Due to the looming war in Europe he relocated with his wife to
New
York in 1936. Over his long and impressive career he created an exceptional
number of serene and exquisite images. At the heart of Kertész¹s mastery
was
his belief in catching the right moment when the subject changes and shifts
into something else wholly new. His interest in using light to capture and
create specific shadows is a characteristic that dominates his
compositions.
On view through 9 September at WAG.
Kahlo's "Self-Portrait with Thorn Necklace & Hummingbird" at the Ransom
Center
<http://feedproxy.google.com/~r/artknowledge/~3/naBzge2KUy4/08_07_2011_00_01
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te
r.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:23 PM PDT
AUSTIN, TX.- The Harry Ransom Center, a humanities research library and
museum at The University of Texas at Austin, celebrates the homecoming of
one
of its most famous and peripatetic art works, the Mexican artist Frida
Kahlo's "Self-portrait with Thorn Necklace and Hummingbird" (1940). The
painting is on display from July 6, which is Kahlo's 104th birthday, through
Jan. 8, 2012.
Since 1990 the painting has been on almost continuous loan, featured in
exhibitions in more than 25 museums in the United States and around the
world, in countries such as Australia, Canada, France and Spain.
The painting was most recently on view in exhibitions in Berlin, Germany;
Vienna, Austria; and Madrid, Spain. It will next be on view in the
three-venue exhibition "In Wonderland: The Surrealist Activities of Women
Artists in Mexico and the United States," organized by the Los Angeles
County
Museum of Art (LACMA). This exhibition will be on view at LACMA from Jan.
29,
2012 through May 6, 2012; at the Musee National des Beaux-arts du Quebec in
Quebec City, Canada, from June 7 to Sept. 3, 2012; and at the Museo de
Arte
Moderno in Mexico City, Mexico, from Sept. 27, 2012 through Jan. 13, 2013.
Kahlo (1907-1954) taught herself how to paint after she was severely
injured
in a bus accident at the age of 18. For Kahlo, painting became an act of
cathartic ritual, and her symbolic images portray a cycle of pain, death
and
rebirth.
Kahlo's affair in New York City with her friend, the Hungarian-born
photographer Nickolas Muray (1892-1965), which ended in 1939, and her
divorce
from the artist Diego Rivera at the end of the year, left her heartbroken
and
lonely, but she produced some of her most powerful and compelling paintings
and self-portraits during this time.
Muray purchased the self-portrait from Kahlo to help her during a difficult
financial period. It is part of the Ransom Center's Nickolas Muray
collection
of more than 100 works of modern Mexican art, which was acquired by the
Center in 1966. The collection also includes "Still Life with Parrott and
Fruit" (1951) and the drawing "Diego y Yo" (1930) by Frido Kahlo.
The history of the Harry Ransom Center officially began in 1957, when Vice
President and Provost Harry Huntt Ransom founded what was then called the
Humanities Research Center at The University of Texas at Austin. The true
origins of this institution, however, began 60 years earlier when the
University began to acquire important private libraries and art that formed
the foundation of what would later become the Ransom Center. Visit :
http://www.hrc.utexas.edu/
<http://www.artknowledgenews.com/>
Los Angeles County Museum of Art (LACMA) hosts Vanity Fair Portraits:
Photographs 19132008
<http://feedproxy.google.com/~r/artknowledge/~3/wrjLZjoT5ag/Vanity_Fair_Port
ra
its.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:10 PM
PDT
Los Angeles, CA - The Los Angeles County Museum of Art (LACMA) presents
Vanity Fair Portraits: Photographs 19132008, the first major exhibition to
bring together the magazine¹s historic archive of rare vintage prints with
its
contemporary photographs, on view from October 26, 2008 through March 1,
2009.
Featuring a remarkable selection of 150 portraits.
Halcyon Gallery Presents Pedro Paricio: Master Painters
<http://feedproxy.google.com/~r/artknowledge/~3/mwGHZnMk7QM/18_05_2011_21_44
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9_halcyon_gallery_presents_pedro_paricio_master_painters.html?utm_source=fee
db
urner_medium=email> Posted: 07 Jul 2011 08:09 PM PDT
LONDON.- Halcyon Gallery present Paricio¹s first exhibition in London.
Pedro
Paricio: Master Painters is on view from May 12th through June 17th, 2011.
Tipped by international critics and curators as a rising star, Spanish
artist
Pedro Paricio is enjoying a serious reputation in the art world, following
exhibitions throughout Spain, Europe and USA. Juan Manuel Bonet, Art Critic
and former Director of Museo Reina Sofia, Madrid, has described Paricio¹s
work
as ³Šthe freshest thing I¹ve seen in the emerging contemporary art world in
30 years². Tomas Paredes, President of the Madrid Association of Art
Critics,
foresees a bright future for Paricio: ³Be sure that here we have a true
phenomenon a tornado you can feel it, you can smell it, you can see it
if you miss it, you¹ll regret it².
Oh l¹amour ~ Contemporary Photography from the Stéphane Janssen Collection
<http://feedproxy.google.com/~r/artknowledge/~3/rFbB6JSLBdE/stephanejanssenp
ho
tographycollectionhtml.html?utm_source=feedburner_medium=email> Posted: 07
Jul
2011 08:08 PM PDT TUCSON, AZ - Love&lsqauo;l¹amour&lsqauo;is one of art¹s enduring
themes,
inspiring collectors as well as creators. Stéphane Janssen, Belgian by
birth
and resident in Arizona, discovered a love of art in his teenage years. He
went on to assemble an extensive and entirely unique collection including
almost every creative medium: painting, ceramics, photography, and more.
For
this exhibition, Janssen generously shares a group of contemporary
photographs that reflect his vision as a patron. The Center for Creative
Photography¹s exhibition Oh l¹amour: Contemporary Photography from the
Stéphane Janssen Collection, will be on view at the Center for Creative
Photography through March 1, 2009.
Pierre et Gilles Retrospective opens at C/O Berlin the International Forum
For
Visual Dialogues
<http://feedproxy.google.com/~r/artknowledge/~3/EUCnuaAxW1Y/2009_07_25_23_05
_1
1_pierre_et_gilles_retrospective_opens_at_co_berlin_the_international_forum_
fo
r_visual_dialogues.html?utm_source=feedburner_medium=email> Posted: 07 Jul
2011 08:07 PM PDT BERLIN.- C/O Berlin, International Forum For Visual
Dialogues, will present the retrospective of French artists Pierre et
Gilles
from July 25 through October 4, 2009. As only venue in Germany, C/O Berlin
presents the exhibition as the first of Pierre et Gilles in fifteen years.
The show comprised a total of 80 unique large-format works from their
early
photographies of the 1970s to the brand new pictures that were never shown
in
public before
The Art Institute of Chicago Presents Modernist Pae White
<http://feedproxy.google.com/~r/artknowledge/~3/bKl2QfG8RZQ/15_05_2011_22_58
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edburner_medium=email> Posted: 07 Jul 2011 08:06 PM PDT
CHICAGO - The diverse work of Pae White engages art, architecture, and
design
to heighten the experience of site and context. Growing up in the
³modernist
mecca² of Southern California in the late 1960s and 1970s, White developed
a
visual vocabulary drawn from a variety of influences that range from
consumer
culture to ³high² art&lsqauo;Eames furniture, Vera Neumann scarves, and Milton
Glaser
graphics, among them. On view at the Art Institute of Chicago May
19September 25.
The New Jersey State Museum features Mel Leipzig ~ Selected Works
<http://feedproxy.google.com/~r/artknowledge/~3/BzkwhrA6a8M/melleipzightml.h
tm
l?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:05 PM PDT
TRENTON, NJ.- Artist As Curator and Mel Leipzig: Selected Works by
Trenton-based painter Mel Leipzig, are now on display at the New Jersey
State
Museum through September 6, 2009. Visitors may watch the artist at work
while
he creates a new painting on the Museum's campus. Mr. Leipzig will be
painting en plein air (in the open air) continuing through the end of May.
He
will be on - site, weather permitting, on Wednesdays and Saturdays from
noon
to 4 pm.
Blanton Museum of Art to feature 'Birth of the Cool' ~ California Art/
Design/
Culture
<http://feedproxy.google.com/~r/artknowledge/~3/Rh4xL9bonHM/Blanton_Museum_o
f_
Art_Cool.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:04
PM
PDT Austin, Texas - Birth of the Cool: California Art, Design, and
Culture
At Mid-century takes a look at the broad cultural zeitgeist of ³cool² that
influenced the visual, graphic, and decorative arts, furniture,
architecture,
music, and film produced in California in the 1950s and early 1960s. The
exhibition, organized by the Orange County Museum of Art, includes a jazz
lounge; a media bar with film, animation, and television programming; a
period art gallery of hard-edge abstract paintings; selections of art,
architectural, and documentary photography; and an interactive timeline
that
highlights examples of California, national, and international culture and
history in the 1950s.
Bauhaus Archiv opens Amerika 1928 ~ Photos of a Study Trip by Walter Gropius
<http://feedproxy.google.com/~r/artknowledge/~3/BMelYlyfvuE/Walter_Gropius.h
tm
l?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:03 PM PDT
BERLIN.- "Gropius praises efficiency here" runs the headline in the New
York
Times on May 27, 1928. The article relates that the architect Walter
Gropius
had been in America for several weeks to study the more efficient and
timesaving methods of mass production. In the spring of 1928, Walter
Gropius
had resigned his post as director of the Bauhaus Dessau and, together with
his wife Ise, embarked on a much longed-for study trip through the USA.
There
he would deal primarily with modern building techniques, particularly the
steel-frame construction of New York skyscrapers. The trip is financed by
Adolf Sommerfeld, the building contractor and longtime patron of the
Bauhaus,
with whom Gropius plans to carry out large building projects in Berlin that
will make use of the state-of-the-art technology.
Whitney Museum announces John Baldessari in Conversation with Adam Weinberg
<http://feedproxy.google.com/~r/artknowledge/~3/nEMqeTmJSyw/johnbaldessariht
ml
.html?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:02 PM PDT
NEW
YORK, NY - In honor of the late Walter H. Annenberg, philanthropist, patron
of the arts, and former ambassador, the Whitney Museum of American Art
established the Walter Annenberg Annual Lecture to advance this country's
understanding of its art and culture. In this fourth Annenberg Lecture,
John
Baldessari will speak about his work in conversation with Adam D. Weinberg,
the Whitney's Alice Pratt Brown Director. For more than fifty years,
Baldessari has masterfully juxtaposed painting, photography, sculpture, and
other media to probe how meaning is created through images, objects, and
text.
Gagosian Gallery features Mike Kelley's First NY Show Devoted to Painting
<http://feedproxy.google.com/~r/artknowledge/~3/F93s5zE9E8M/2009_11_15_21_58
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l?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:01 PM PDT NEW
YORK, NY.- Gagosian Gallery presents Mike Kelley's "Horizontal Tracking
Shots," his first show in New York devoted entirely to painting. Evoking
painting as a series of experiences akin to the movie camera gliding through
space, capturing action as it goes, Kelley has devised a spatial push-pull
effect through the arrangement of large polychrome panel paintings and
smaller
framed canvases. In the untitled colored reliefs, individual colors pop or
recede in relation to each other. The colors of the flat support panels are
determined by key colors in the organically shaped panels that are attached
to
them. On view through 23 December, 2009.
Williams College Museum of Art Presents Gregory Crewdson/Edward Hopper
<http://feedproxy.google.com/~r/artknowledge/~3/IxqM5QetCwU/Gregory_Crewdson
.h
tml?utm_source=feedburner_medium=email> Posted: 07 Jul 2011 08:00 PM PDT
Williamstown, MA - The Williams College Museum of Art (WCMA) presents
Drawing
on Hopper: Gregory Crewdson/Edward Hopper, an intimate glimpse inside the
creative process of two artists separated by time but connected through a
single subject: the psychological landscape of American culture. This
exhibition will feature Edward Hopper's Morning in a City, which has
recently
been treated by the Williamstown Art Conservation Center, along with several
of the painting's preparatory sketches, on loan from the Whitney Museum of
American Art. Additionally, three enigmatic photographs by contemporary
photographer Gregory Crewdson will be on view with their accompanying
documentary stills. On exhibition until 15 April, 2007.
This Week in Review in Art Knowledge News
<http://feedproxy.google.com/~r/artknowledge/~3/CANBHfYT6E0/08_07_2011_02_06
_5
7_this_week_in_review_in_art_knowledge_mjk.html?utm_source=feedburner_medium
=e
mail> Posted: 07 Jul 2011 08:00 PM PDT This is a new feature for the
subscribers and visitors to Art Knowledge News (AKN), that will enable you
to
see "thumbnail descriptions" of the last ninety (90) articles and art images
that we published. This will allow you to visit any article that you may
have
missed ; or re-visit any article or image of particular interest. Every day
the article "thumbnail images" will change. For you to see the entire last
ninety images just click : here
<http://www.artknowledgenews.com/this-week-in-review-in-art-knowledge-news/>
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